The amount known about
Fat Tuesday/Dead Esay well its not a lot
really, most of what is known comes from magazine articles
around the time Demon Knight was released. ''The
next one is more psychological; than blood guts and gore''
according to A.l Katz ''As a Matter of fqact today we wrote a scene where a shadow
figure squeezes through the skull of an old lady and into her brain and
thats just where the movie begins.'' Adler was apparently
directing Fat Tuesday and it was going into production in febuarary
with a $12 million budget. The film was going to be based on a
script by J.P kELLY. It was going
to be set in the Deep South (possibly New Orleans) It was supposed to be
about a man trying to determine what happened in his past and how his memories of
this would bring back a malevolent entity if they are ever recalled. The
closer the guy gets to the truth the closer he gets to releasing something
inside of him. They claimed that they would be creating a unique bad
guy one who would be unique
and funny and like nothing we had seen before and that would also scare the
shit out of people. I have found a scan of this article and I wrote the above by squinting like mad, I will share it below incase you can read it better than I.
The two pictures I provided above and tried to read are from an article on “Fat Tuesday” that apparently came from a “DemonKnight” magazine that was published when that movie was released. There is also some art which has made its way online and I will post it here because its both intresting and I think its rather good too. Does this art really tell us anything? Well it supports the claims that the script includes a man looking after his child and it also shows that this villian as well as being described as a shadow and as having come out of the man it seems to take the form of an Evil Jester, its hard to draw anything concreate from this but maybe it was a bit like the creature in Stephen King's IT maybe it was an Evil Shadow which took the form of a Jester it sounds pretty intresting to me, I would still love to see it but I guess it will just have to live on as a movie legend.
Like what I posted with Body Count, TALES FROM THE CRYPT PRESENTS FAT TUESDAY was going for a September 1996 release by Universal. The story for the film was written by JP Kelly a young insanely nice writer with a lot of energy. He pitched it to Joel Silver and he thought it would make a great Tales movie. Gilbert Adler and A L Katz both rewrote the film but they had trouble getting the tone right resulting in three sloppy drafts in a row. I said before but I'll say it again - they were hacks. Not only were they terrible writers but they clearly shouldn't have been in charge of a planned movie franchise or a movie in general. Silver wanting a finalized script that worked hired X Files writer Darin Morgan cause again he was a fan and wanted to work with the show's writers. Signed up immediately turned in the final draft three days later.
ReplyDeleteIt was a damn good script. The story was about a psychiatrist Roger and his son who move to New Orleans after his wife dies find themselves terrorized by the ghost of Roger's father, a voodoo witch and a demonic jester. It was a perfect followup to Demon Knight.
But then Adler and Katz stepped in and refused to make the film angered at the fact that their script was rewritten. To top it off, Universal bought Bob Gale and Robert Zemeckis' spec Bordello Of Blood so tje latter wouldn't leave for DreamWorks. Those two things sealed the fate of Fat Tuesday. It's a damn shame cause Darin's script perfectly captured the EC Comics spirit and was so rich. Darin Morgan is still a criminally underrated writer and FT was in my own personal opinion the best script he wrote. It was the first script I ever read from beginning to end cause it was so good.
IS there any way to read the script?
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Oh and the big slap in the face was Bordello Of Blood. The original spec written by Gale and Zemeckis was not only much better than the final film but only 2% of their script was used. The one thing that was brought over was the character Reverand Current. Adler and Katz butchered it completely.
ReplyDeleteWhile yes Dennis Miller was the troublemaker on set, those two were the troublemakers behind the cameras.
The two are hands down the worst producers I've worked with and they were disrespectful to the cast and crew of Demon Knight including Dick Miller. The reason why they got away with all it was because the executive producers from Joel to Giler were preoccupied with other projects and also because of all the other behind the scenes problems with Bordello. Gil and Alan were both the main reasons why the show and the movies fizzled out like they did.
Please tell us more! Was the film completed?
ReplyDeleteNo. Joel never stepped in.
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